I want there to be villains

 I swear I haven't forgotten this, but as we all know this last year was a trial. I had tried to use my time to get back into writing, but as usual...

I have a rather grand view of this story, that were I to write an actual novel rather than journal entries, I'd have multiple novels on my hand. To that end, I have villains in mind. However, given the deceptive nature of the fae, I didn't want the villains to be exactly who the readers expected them to be.

Take Sam for example. Sam is Candace's brother in law, and while Sam's parents are not accepting of Candace, Sam seems to take her under his wing and care for her. I wanted this to show early on, so even in the hospital Sam is constantly checking in on Candace to make sure she's got everything she needs. And when Candace struggles, I was actually writing this before "Karen" became the term it now is, but Karen would be a perfect term for Candace. The scene as I remember it was Candace struggling with her physical therapist, her fae nature came through and she was indignant of the whole situation. She was in pain in a way she'd never felt before (not that she could remember), and she couldn't just get up and do her thing. In order to heal she had some human telling her what to do, which galled her to her very core. So she stands up to give the human a piece of her mind, only to fall cause her ankle still can't support her weight. Sam is there in an instant to catch her and carry her away.

I wanted Sam to be shown to have an overly protective attitude toward Candace. At first it might seem sweet, but I wanted that over the course of the story to evolve into something more sinister, controlling. When Rawiya moves in with Candace I was trying to give a little time for Rawiya to get settled in. But as time went by I wanted to show two things; Candace's nature which I've touched on before, but also how Sam's care went beyond reason. At first it wouldn't seem like much, after all Candace has amnesia and can't remember who she is, or what she used to do, or even if she has her own property or anything. So for Sam to provide for her should seem fitting.

As time went by though, I wanted Rawiya to become more and more interested in who Candace was, and helping to find out. If she was such a celebrated dancer, surely someone is looking for her right? I wanted Sams concern to allow Rawiya to ask him to look into those things, and I think I did start on that. But I wanted Rawiya to check in on his efforts, to see if anything had come up. The answer would always be no, she'd suggest a private eye to help. Sam would agree, but Rawiya would have to ask if he'd found one. Oh yea, I hired a guy last week, he's looking in to things. Should he come by to interview Candace? Right now he's working on what we do have, I didn't want to bother Candace too much anyway, but if and when it becomes necessary I'll let you know and we can find a time to do that.

But on the other side of things, when Rawiya raises the subject to Candace, Candace seems unconcerned with finding out who she was, resistant even. Candace is content with where she is, and why shouldn't she be? She's got a house and a friend, no responsibilities, not even bills. Wait? What about a mortgage? Electric bill, water bill, cable/internet? When Rawiya asks Sam about these he just says that he's redirected the bills to himself and he just pays them for her. And Candace doesn't seem to care.

So Rawiya gets more pushy about this. Especially remembering that part of her agreement with Sam was that her job was to be there for Candace. I want Rawiya's curiosity and concern for Candace to help drive figuring these things out. I want Rawiya to get impatient with this PI's progress and for her to start looking on her own. And I want Rawiya to discover that Sam never actually hired a PI, that Sam had done nothing to look into Candace's history.

I wanted to tease a few things as I revealed that Sam was not as he seemed. Despite how malign Sam's actions would eventually come across, I wanted to show him as having genuine concern for Candace's well being. Of course, that would still tie in with the impression I wanted to build, so it worked in my favor. I even wanted Sam's actions to become controlling in a way. Over time he would be more and more restrictive about what Candace can and cannot do. At first, sure we can go out on holiday and take snow day, but Sam has to be there for that. But as time goes by, Sam is less and less willing to allow Candace to go out, which of course drives Rawiya crazy because Sam does not get to allow Candace to do anything.

But there was another aspect about Sam that I also wanted to tease, an aspect that I wanted to be much slower to reveal. I wanted to reveal it through Candace's treatment of Sam, which started all the way back at the hospital. Candace is dismissive of him, even more so than she is of others. And even as Rawiya wears that down, helping Candace to befriend Max and Hal, Candace remains dismissive and condescending toward Sam. At first of course Rawiya just sees that Sam is being helpful and caring, and she doesn't understand why Candace should be so cold toward him. But even as Rawiya learns that Sam has control of every aspect of Candace's life, she can't get Candace to see how this might be a bad thing all through Candaces dismissal of him. It makes for an odd sort of dynamic, in which Candace expects everything out of Sam even as she brushes him off and doesn't listen to him. But when Sam says don't go out, she won't go out.

I wanted a final confrontation, well not final but a climactic confrontation in which Rawiya finally gets Candace to understand that Sam should not be trusted. In so doing, she gets Candace to finally leave the house unaccompanied by Sam, and together they go to find some answers. When they get back, Sam is fuming that they didn't listen to him. Now I feel I should mention that while Sam, this whole time, has had a disturbing amount of control, he's always been accepting of Candace's dismissal of him and has never raised his voice to her or acted threatening in any way. So when Sam finally raises his voice and expresses anger, Rawiya is understandably terrified. Candace however finally goes on the offense herself, finally confronting Sam about all the things Rawiya had been trying to get through to her. Despite Sam's size and demeanor, he is cowed by Candace's fury, but in her rage Candace spits out the accusation that he's a filthy troll.

Sam is horrified by this, he'd been shrinking under Candace's fury, but at hearing her call him a troll he practically collapses in on himself and leaves.

This gets in to one aspect I wanted to present in my stories. The fae exist, in many forms, fairies and sprites, elves and goblins, The Sidhe above all, and trolls below. In my interpretation of these things, I wanted to present trolls as being the offspring between the fae and humans. Stories of trolls being filthy and lowly, living under bridges, come to us humans from fairies telling us about them. As such when we think of trolls we think of monstrous and dangerous things, we don't think of individuals like Sam. I imagine and describe it similarly to the uncanny valley for the fae.

If you are unfamiliar with the uncanny valley, it's a term used to express the phenomenon of how we find things less attractive the more closely things resemble us. For the fae this is what's going on with trolls. They are half fae, as so are like the fae in many aspects, certainly more so than we humans. But they are not quite fae, and as such the fae find trolls to be less attractive. They push them out and turn them away. So trolls generally grow up homeless and fall into the very descriptions that the fae have about them. That's why they live under bridges. Not being true fae, they can't live with nature the way the fae do, they are very like us in that respect.

But for us humans, we find them more attractive, being human touched with aspects of the fae. We are drawn to them, enamored by them. Not knowing that they are the trolls that fairies tell us about, we have different names for them: Incubus and Succubus. I wanted to use Max to show this aspect of Sam. Rawiya's tumor would interfere with it, 'cause the attraction is somewhat magical in nature. It's been a little while, so I don't know how far along the line I had gotten, but I wanted Max and Sam to become an item for a while.

In any case, Candace being by nature fae, this is why she is so dismissive and cold toward Sam. But I didn't yet want to reveal why it was so hurtful to him for her to call him out like that. See, even though Sam ran off having been called out by Candace, Rawiya and Candace both agree they shouldn't be there when he returns. So they call Max (by this point I wanted Rawiya to be more aware that Candace is fae and as such she avoids calling Hal) who comes over, they load up her car with things and drive out into the mountains hoping to get away from Sam.

Now, I don't want to get into too much detail about what transpires, but from the perspective of a novelization version of my story, I wanted this to end out the book. Sam finally gets to reconnect with the girls, and finally explains why he has been acting the way he has. He hasn't kidnapped Candace, he isn't trying to control her in any way. She's a fugitive, he's trying to protect her.

Sam will finally then explain that on the other side of O Véu there are kingdoms of fae and fairy kind. We humans are vaguely aware of them having remembered them in legend. But that since the erection of O Véu, the kingdoms have changed, fallen and reformed. Where once there were two, the Seelie and Unseelie, there are now many. Fairy kind is still bound by the agreement made to raise O Véu, and in some aspect the original courts still exist. The fractions within those courts have as much as anything to do with a disagreement about who rules after King Bres's sacrifice. The summer court believes that his crown should have passed to his daughter Titania, while the winter court believes his protégé, Nuada, who was properly trained to take the throne should fulfill his destiny.

There are other courts to be sure, but Sam's concern is with a particular court ruled by one known as The Mad Queen. Sam doesn't know much of Candace's original reason for being involved with The Mad Queen, he suspects she was a placed spy. In any case, what is believed is that The Mad Queen was actively seeking to tear down O Véu, which would undo the entire purpose of erecting it in the first place. Not knowing exactly what Candace was doing, Sam only does know that Candace had managed to create for herself something of an emergency contingency in case she was discovered. That's what Sam is, his job is to protect Candace from The Mad Queen, and that's why Candace had to give up her identity: so she couldn't be tracked or summoned. That's why he is so protective of her, not to control her for his own amusement. With O Véu fallen and the worlds reuniting, there are now fae freely wandering our world. In order to protect Candace, he can't let her be discovered, lest The Mad Queen find her and come for her.

This is why Candace can't know who she is, and why we can't tell her much if anything about herself. She has to forget that she's fae, or she'll remember everything and become vulnerable. Her amnesia is willingly undertaken, and this has an effect on how it works for her. The only thing she remembers is that Sam is her protector, that's why she was and hopefully remains so trusting of Sam's judgement. But because her identity wasn't stripped from her, she remains physically fae, that's why she still has her wings and can readily recognize other fae and trolls. That is something that can only fade with time, but it also acts as an indicator. As long as she remains physically fae, she can remember and come back, which they hope she'll one day be able to do. But if she ever fully becomes mortal, there's no return, and she'll live and die as a mortal never remembering who she was.

I want there to be a love interest

While in the hospital, Rawiya also meets Halvis. and I want Halvis, Hal, to be important to the other side of the story. Halvis gets caught up in this secret society that works to hide the reality of the sidhe's existence. He was out hiking when the eclipse started, and found himself in the center of some fairly serious stuff. The society, low on members anyway, uses this change to recruit him rather than to erase him or his memories. In so doing, they reveal to him much more than he ever expected to learn.

This was a difficult thing for me, I did want to use this as a way to help inform Rawiya, and thereby the readers, of what's actually going on. But like I've said, I feel I revealed too much too fast. Of course, there's also the issue of Hal doing exactly what he's not supposed to be doing, revealing the secrets that he learns. I ran a difficult risk with that, and Rawiya expressed some legitimate concerns. There should have been more blow back from what they'd done, but really I should have been more careful in how I handled it.

As far as their relationship goes, I did want them to be good together. I wanted moments of cuteness, and closeness. I want Rawiya to develop a healthy attachment to Hal. But I have to admit, the difficulty for me in doing this is that I don't have a lot of experience with it myself. I also haven't read a lot of girls journals to get any idea of what they might actually express or how.

One of the reasons I was hoping for reader interaction was hoping female readers might speak up and help me with that side of expressing things. Through questions, or helpful suggestions, or whatever. I could use those things to help prepare future journal entries to answer the kinds of questions they asked, to take into account the suggestions offered.

In any case, as things unfolded and Rawiya learned about what was going on and what Hal was now doing, I want for this to cause issues. See, I didn't want Rawiya to learn about Candace right off. In fact, what I wanted was for Rawiya to meet another Fairy who is openly (to her) fae. This was another event that I wanted to happen soon, I just hadn't quite figured out how.

Through this other fairy, I wanted Rawiya to learn about Hal's organization from the fairies perspective. I wanted Rawiya to know that the fairy feared the organization, feared that they would find him and take him away never to be seen again. Because of this, Rawiya found herself keeping a secret from Hal. Not just about this new friend of hers, but by this point she should be able to recognize that she can see things that others cant. Things that are actually there, she's not hallucinating. And knowing that, she'd be worried that Hal's organization might take an interest in her. So she starts keeping from Hal the things she sees. Well, she'd have already been, considering at first she thinks she's hallucinating, she was keeping that a secret from everyone. But with everything happening, it becomes harder and harder for her to hide that, because what she does find she has difficulty with, is recognizing when others can see what she normally does. When a fairy shows itself openly Rawiya finds herself acting like its not there, only to then realize everyone else can see it and is responding to it.

But the biggest thing is when Rawiya finally learns that Candace is si. I wanted there to be a definite point at which she discovers that Hal's organization, and thereby Hal, is working against the fairies. Preferably by Hal taking her fairy friend into custody or otherwise telling Rawiya to cut contacts with him. Or maybe Hal learns about the fairy and reacts badly to him, even without knowing that he's a friend of Rawiya's. This puts her on alert and strains their relationship, and even more so because Rawiya stops being comfortable with Hal at her and Candace's place.

I want the story to have a heroine

As I have already said, Rawiya was meant to be the eyes through which the story is told. She's an important part, but she's not who the story is about. Candice is who the story is truly about.

I very much enjoy the story concept of the hero or heroine being amnesic, not remembering who they are or that they are the hero. The Long Kiss Goodnight is one of my favorite movies, and Star Wars: Knights of the Old Republic is second favorite only to Planescape: Torment. I love the idea that the hero has the skills, doesn't need to be trained, but has to remember them. In so doing, they learn who they are, and sometimes that isn't who they were. It's a different sort of discovery, rather than training for and molding into what they need to be.

So when Rawiya meets Candice, Candice doesn't know who she, herself, is. A lot of the story I wanted to tell was about her discovering who she is. But I wanted to put a twist on it, Candice doesn't want to know.

This was probably the hardest part about telling the story from Rawiya's point of view, I couldn't just tell Candice's point of view. And Candice isn't one to just confide in people, but I was working up to that. There were some specific events I had in mind to happen once Rawiya had moved in with Candice and things settled in.

Candice, as you may have already guessed, isn't human. She's fae, sidhe, of the fair folk. In so many mythologies, the immortal can become mortal. Like an Angel cutting off their wings, or otherwise losing them. The fae though, they are elemental beings, they are forces of nature, they simply exist. Becoming mortal isn't as easy as removing a part of their being, they have to forget who they are. Candice was fae, she's not any more.

But this is a tricky thing. It doesn't all happen at once. At first its just your memories. But you still retain the aspects that are fae. So while Candice couldn't remember who she was, she could still see the world through fae eyes, she still maintained the attitudes that were long since established in her psyche. She needed to forget those things too, and that requires time and influence. She needed someone to model for her how to be human.

Now this gets into motivations and needs that I'm not yet ready to reveal. For now I want to dwell on why Candice might be mortal.

One thing about the fae is that if you know their name, their true name, you can summon them, track them, even control them. Summoning them is as easy as saying their name three times. Which is why you must be careful to use a sidhe's name, even saying it the first time will make them aware of you. And just because you've summoned them, doesn't mean that you are protected from them or have any control of them. If you haven't prepared yourself, you may not even see that you have summoned them, after all they won't be seen if they don't want to be.

A fairies name is as much a part of their being as their nature, it isn't just their identifier. Part of forgetting ones self is to lose ones name. It is perhaps one of the worst things you can do to them, you remove them of their nature and leave them mortal and vulnerable. It is a death sentence.

But once the fairy loses their name, they can no longer be summoned, tracked, or controlled. The sidhe can voluntarily, and in rare circumstance will, forget themselves.

I wanted to spend time getting to know Candace. I wanted to show how her attitude changes as she slowly forgets her nature. When she first comes to in the hospital, she's still fairy, she just doesn't remember. So she still acts like a fairy would. She's practically captured, constantly under guard, and she hurts from injuries that should have long since gone away. She can't hide, but she also can't escape because she can't remember how. So she's indignant, even when the people around her are trying to be helpful. There's one more aspect to that, but I won't reveal it yet.

What changes is meeting Rawiya. Up until she does, Candice is simply surrounded by people who are constantly pestering her. Asking her questions she doesn't know how to answer, her in laws are horrible towards her, and the doctors keep poking, prodding, and telling her what to do. She's not able to see where she is or what's going on around her. But when Rawiya wanders past her room, even though she's staring at Candace, she looks away embarrassed and tries to leave. Candace reaches out to her, asking for help, and finds someone not expecting anything of her. As they talk, Candace comes to learn the nature of where she is, it's not a prison but a place of healing. Rawiya is like her, injured differently, but on the mend. In her fairy mind of trying to figure things out, Rawiya becomes the person after which to model. And this is why Candace latches on to her.

The time I wanted to spend getting to know Candace was time I wanted to show her struggling with her nature. As much as anything, I wanted to use this to create an air of mystery around her and help tip off that she wasn't human. I wanted her to be curious about the world, indicating a change in her perceptions, but at the same time her joy and fancy would work to highlight her nature.

After Rawiya moved in, I wanted her nature to become more apparent. Sleeping all day and being up all night, her affinity for cooking, and her difficulty with technology.

The one event that I was working up to, was for Rawiya to come home and find Candace dancing. Candace is lost to her dance and isn't paying attention. So caught up in her nature, her wings reveal themselves. Normally to any human this wouldn't be an issue, but Rawiya isn't like other humans. I was going to use this event to highlight how she sees things that others can't.

Prepared for it to happen I had already written this:
“It might be easy to say they were dark in color, but that would almost be wrong. As I sit here pondering how to describe them, I find myself thinking about how ancient peoples described the night sky as a blanket covering the world. If such a silken blanket were to actually exist, her wings would have been cut from the same material. They were translucent in a way, you could see through them, but it was as if what was seen through them was seen in the dark; like the lights were turned out and you were seeing by the light of the moon and stars.”

Of course, Rawiya still isn't completely aware that what she is seeing is real. So she writes it off, though it becomes important later when she admits to what she's seen.

I want the story to be about the way things are

This is difficult to do, because the story is in large part telling about what happens after the fall of O Véu and the return of the fae. These are big things, but I wanted them to happen gradually. The way I was doing this was perhaps too gradual. I knew I wanted things to take time, but I struggled with feeling they were taking too long and having too much revealed when I would mention what all was happening. I used Halvis to help reveal some of what was happening outside Rawiya's little world, and I feel I went overboard with him.

But that slow change was what was supposed to help me lay out the way things were. And I feel looking over things that I failed in that regard. I didn't emphasis the worldly problems we already have, in particular global warming and the rise of fascism. I was focused too much on Rawiya's day to day life, and to be fair that's kind of what a journal format leads too. If anything, this is why I'm rethinking the format I want to use. I hoped that people would already be aware of the larger issues at hand, and that I could simply mention them in passing to help keep my story grounded in reality without having to dwell on them.

I was hoping though for reader interaction. I felt that using a blog format might encourage people to interact with the journal and maybe even to interact with Rawiya personally. But honestly I wasn't even really getting readers to begin with, much less the readers that might want to respond. I had hoped that having people who interacted with my story would give me a way to incorporate more friends than just that of Max.

My greater dreams was that people might incorporate the ideas presented into their own stories that would make the whole thing alive. People making up stories (or even relating actual experiences that they had) telling about encountering weird things that might be explained by the fae. I'd even incorporated an experience of my own as one such odd occurrence.

In any case, the main elements in my story of "the way things are" was Rawiya's family and long standing friend Max. But as I already mentioned, I didn't want them to be distractions so I took them for granted and kept them at a distance.

Dad is a hard working man who keeps busy and is usually at work. Mom was more the homemaker, but I didn't want her to be so limited, so she had a history of work elsewhere that I touched upon. I wanted the feeling that she was a homemaker but where able she'd help out at various public programs. I wanted her to be an artist I think and to have ties with the community.

Efe was a nickname I'd given to Rawiya's brother. I never did come up with a proper name, but kinda felt I didn't need to. He was off serving, which gave me a good excuse to not mention him very often, but I wanted to keep his ties strong, which was why I'd tried to maintain some letter writing and the occasional phone call. I wanted to use his position in the service to provide some contact with what the military was doing in response to everything that was going on. But I knew this would be difficult, mostly due to lack of contact when things did happen, and his inability to report on anything. In my introductory letter I only mentioned Fayette's Aunt and Uncle, I had purposely left that vague because I wasn't sure which Aunt or Uncle Fayette would spend most of her years with, or even whether Efe would survive.

Which leaves Batel, who's in college at the time of the writing of the journals. I wanted Batel to have a relatively normal life, and to be able to provide a personal touch to the oddities that people would be experiencing over the coming years. It'd give me a way to express things happening elsewhere while keeping the important bits happening in the immediate. To that end I had hoped that Batel would travel after graduating college. And to be honest I was leaning on her being the Aunt and mother of the cousins that Fayette is "currently" playing with.

Max is the one who I kept close, she was Rawiya's best friend as of the writing of the journals. But of course she was going to college while Rawiya was working and saving up to do the same. This gave them somewhat strained contact, Rawiya had weekdays off regularly while Max schooled during the week. So I tried to work in a break between classes that would allow Max to join Rawiya for lunch once in a while.

I wanted Max to be an opposite to Rawiya. Where Rawiya is reserved and quiet, I wanted Max to be outrageous and boisterous. I wanted Rawiya to be scared and uncertain, I wanted her to grow from that. And I wanted Max to be adventurous and self assured. So when something was happening in the mountains, Max had to be the one to go check it out.

I feel I didn't give Max as much of a spotlight as I should have, and I mentioned this before. So I was constantly trying to find some way to bring her into the story. I still do whenever I think about this.

In my head I see Max as a freckled red head with a mischievous smile. I see her tall to Rawiya, but not necessarily tall in a more general sense of things. Merida springs to mind as I write this. I see her as outgoing and perpetually in the company of a different boyfriend. To me she has a magnetic personality, people want to be around her. But she is uncompromising and unwilling to settle, and so people get hurt. Max just moves on, and doesn't look back.

These were the people that I wanted to establish Rawiya's life with, they were her foundation. Which is why I feel I do them a disservice by keeping them all so distance. It felt like I'd already moved on from them, and wasn't giving me the ability to move on.

I have this story I want to tell

I wanted to tell the story through the eyes of Rawiya, someone who has a unique perspective on events as they unfold. To that end I wanted her to be able to see things that other people cannot. In order to explain this I came up with the idea that she had a tumor growing in or near her visual cortex that altered her ability to see. I wanted her to be able to see things that noone else could, to see the fae that normally remain hidden from people unless they want to be seen. The idea was that this tumors presence made is so that whatever magic the fae use to hide wouldn't work on her. She could see the fae, but she could also see through their illusions.

The fae though have not existed amongst us for a very long time. It's not like they just went into hiding and never revealed themselves, 'cause there are ways to find them. They were made simply not physically present. And so people couldn't just not see them, they couldn't even find the fae when they looked. Over the generations, the idea of the fae faded to myth and legend, and today the common person knows only a fairy tale version of the fae, something so different that when the fae do show up they still aren't recognized for what they truly are.

Because of this, when Rawiya first starts seeing the fae, she wouldn't know what she was seeing. Nor would she have ever seen them before because they weren't there before. This would be a new thing for her, and because noone else around her would be able to see it she couldn't be sure she wasn't just hallucinating. So I also wanted to suggest that the tumor might cause her to hallucinate, if not just make it difficult for her to make sense of what she were seeing, or to simply cause her to go blind. I wanted her to be unsure of what she was seeing, unable to trust that it was real.

If Rawiya is going to be the central perspective, I needed to give her a family and a life. I was using a journal format, so I felt she didn't need to write down her full name all the time if ever. So I've never actually given her a surname, or even a middle name. Even her parents have just been Mom and Dad. I don't know if that's a bad thing but if I want to change the format of the story, to tell it in a different way, I may have to come up with those things.

And Rawiya has two siblings, a brother whose nickname is Efe, and sister Batel. I didn't want them to feel unimportant, but didn't want them to be a distraction to the main story, so they were both older and had gone off, Efe was army or navy I think while Batel was in college.

Rawiya needed to have an established life, which included friends. Again, not many, so Max was her one good friend. But I fear I am not presenting Max as important enough as she should be for being Rawiya's best friend. I lean on the idea that Rawiya's life is moving on from the simplicity of High School, and so her ability to interact with her friend is more limited. I don't know if that's a mistake or not, and so I've been wondering how else I can bring Max into the story.

Since my format was to present this as a journal, I didn't want to spend too much time describing Rawiya. I mean, if you are writing a journal, are you going to spend your time describing yourself or are you just going to take your appearance for granted since it's not a novel for others to read? As such, I left Rawiya's description to be addressed in comparison to others. So an so is taller than me, has lighter skin than me, or darker skin than me. I got new clothes today, a blouse, jeans, or a cute vest. I've never met someone with darker hair than mine, but Candace's takes the cake. But I worry I spent so much time on that that I was giving the impression that girls spend all their time caring about their appearance. An impression that I didn't necessarily want.

I wanted the story to start with an important event, so I chose the eclipse that was set to happen that year in August. A date, amusingly enough, that has significance to my own life completely unrelated to the story. I always worried that readers who knew me might think I'd picked that date because of it's relation to my life, but the honest answer was no, it was simply when the full lunar eclipse was set to happen.

The idea that I wanted to reveal was that the lunar eclipse was a targeted event, used to invoke magic that would break down the barrier that had separated the fae from our world. But of course I wanted that revealed to the reader as it was revealed to Rawiya, so no immediate explanation was given. Though I think I handled it poorly and heavy handedly with Halvis. I think I used him to reveal too much too soon.

Since Rawiya's tumor effected her in a magical way, the idea I was running with was that the magic involved in tearing down this barrier (O Véu) was so spectacular that it cause Rawiya to pass out, and continued to effect her for a week afterward. As such my story, her journal, opened with her waking in the hospital and spent a week or so there while they ran tests on her because she was continuing to have issues. Not only with her dizzy spells, but bad enough that she couldn't gain her sense of balance to even stand up and walk.

This also gave me time to introduce a couple of other characters who I wanted to be important to all this. Candace, who I wanted to become a close friend of Rawiya's, and Halvis who shortly after would become her boyfriend.

...

Well over 6 months and I haven't been able to keep up with anything. My work hours changed, my living arrangement changed, and all the free time I had to be able to work on this dried up. And when I could find some free time, I wouldn't work on this because I couldn't get an entry done in that amount of time. I Just kept hoping that things would free back up and I could start doing an entry a day.

It finally hit me that that's not going to happen, and my all or nothing attitude toward working on this has been toxic and completely unproductive.

So, I'm starting over. Not with the story, I want to tell this like I have been. But I'm tossing that attitude. I will work on this when I get the chance, and I will do what I can with what time I have. And if it takes me a week to get an entry up, then it takes me a week. That's what it took for me to get the entry up I did the other day. I may never catch up, not without some support, but that's okay. At least I'll tell the story, and hopefully some day I may be able to finish it.

I apologize to anyone who might have been reading this, I'm sorry my attitude so affected my ability to keep this going. Hopefully having kicked the attitude to the curb I'll be able to start working on this again. It'll be slow, and there's no reason for me to think I'll have any regularity in publishing, but it'll come. And if things open up for me again, I'll take advantage of that.

An idea I had had was to maybe do some telling of what's going on. Like a post, not a journal entry, but a post in which I tell you guys about someone, or some aspect of the story. Just as a way to help maybe paint a picture of what's going on or those who are involved. I had hoped that these things would be revealed in Rawiya's journal, but with an extended rejection of work I fear I've lost that focus. If anyone would like that let's take advantage of it, ask me questions. Something you don't understand? Ask. It's not like I'm going to give everything away, but if I'm not clear about something, this is a good way to let me know. And then I can help clear things up either through Rawiya's Journal, or in a post of my own depending on what was appropriate.

To sum up, I apologize for leaving this story and you all hanging. I've come to realize that I'm being a poor story teller and I'm going to change that. Please bear with me, and thank you for your patience and readership.

another general note

Well, it's taken me much longer to get things in order than I had though it would, and I apologize. Though I didn't receive any comments, so as near as I can tell I'm apologizing to the æther. Either way, I am still working on things, and I think progress on this story might be halting for a little while longer. I will try and update when I can, keep me from getting too far behind. And when I can start working on this more regularly I'd like to think I'll be able to catch back up and even get myself ahead again.

If there's more than just the æther out there, thank you for reading, and thank you for your continued patience.